Louisa Smith-Adam
Always
working in in oils, on site whenever possible, I focus upon a wide
range of subjects and locations. Each subject, a landscape, a person,
a still life, contains unique intrigue. I paint in response to that
mystery, have always carried a sketchbook for the same reason.
When a pre-teen, I took classes from Ann and George Jenkings, associated with the Norton Gallery in Florida; it was then a small gallery with a remarkably varied permanent collection. The Jenkings, their encouragement and friendship, that Gallery and its collection, are among my clearest memories, and are among the most treasured.
A few years ago, my family and I moved from Florida to Port Hadlock. Finding such a strong, (and importantly, supportive), artistic community on the Olympic Peninsula was an unanticipated pleasure. I have taken classes and painted in this environmentgoing on six years. It is wonderful, as are the surroundings.
When a pre-teen, I took classes from Ann and George Jenkings, associated with the Norton Gallery in Florida; it was then a small gallery with a remarkably varied permanent collection. The Jenkings, their encouragement and friendship, that Gallery and its collection, are among my clearest memories, and are among the most treasured.
A few years ago, my family and I moved from Florida to Port Hadlock. Finding such a strong, (and importantly, supportive), artistic community on the Olympic Peninsula was an unanticipated pleasure. I have taken classes and painted in this environmentgoing on six years. It is wonderful, as are the surroundings.
Belle Glade Florida 2911
oil on linen 16" x 20"
$
600.00
Blyn Estuary - 2009
oil on canvas 16" x 20 "
$
600.00
Pale Dream - 2009
oil on canvas 6" x 4"
$
225.00
Hadlock Bay Beach - 2008
oil on canvas
$
400.00
Tree branch and rock - 2008
oil on canvas 16" x 16 "
$
450.00
The Red Scarf
oil on linen 10" x 8"
$
375.00
Fall in Railroad Park, Sequim - 2009
oil on linen. 20" x 16"
$
600.00
